Solomon R. Guggenheim Museum

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Solomon R. Guggenheim Museum frank lloyd
Solomon R. Guggenheim Museum frank lloyd
Solomon R. Guggenheim Museum frank lloyd

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Named the Solomon R. Guggenheim Museum in honor of its founder, is known as much for its building design as it is for its content. Frank Lloyd Wright’s masterpiece of modern architecture is home to the world-renowned Guggenheim collection of modern and contemporary art that includes masterpieces by Chagall, Kandinsky, Picasso, and Van Gogh, as well as special exhibitions. The building opened in 1959. The Guggenheim is included in the City Pass ticket program.Named the Solomon R. Guggenheim Museum in honor of its founder, is known as much for its building design as it is for its content. Frank Lloyd Wright’s masterpiece of modern architecture is home to the world-renowned Guggenheim collection of modern and contemporary art that includes masterpieces by Chagall, Kandinsky, Picasso, and Van Gogh, as well as special exhibitions. The building opened in 1959. The Guggenheim is included in the City Pass ticket program.

Address

1071 5th Avenue New York, NY 10128-0173 Location: 5th Ave. & E. 89th

Official website:Official Web Site

Map:View a Map of the Attraction

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Solomon R. Guggenheim Museum

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The Guggenheim
The Solomon R. Guggenheim Museum (often referred to as "The Guggenheim") is a well-known museum located on the Upper East Side of Manhattan in New York City, United States. It is the permanent home to a renowned collection of Impressionist, Post-Impressionist, early Modern, and contemporary art and also features special exhibitions throughout the year. Designed by Frank Lloyd Wright, it is one of the 20th century's most important architectural landmarks.
The museum opened on October 21, 1959, and was the second museum opened by the Solomon R. Guggenheim Foundation. It recently underwent an extensive, three-year renovation.
Guided by his art adviser, the German painter Hilla Rebay, Solomon Guggenheim began to collect works by nonobjective artists in 1929. (For Rebay, the word "nonobjective" signified the spiritual dimensions of pure abstraction.) Guggenheim first began to show his work from his apartment, and as the collection grew, he established The Solomon R. Guggenheim Foundation in 1937. Guggenheim and Rebay opened the foundation for the "promotion and encouragement and education in art and the enlightenment of the public." Chartered by the Board of Regents of New York State, the Foundation was endowed to operate one or more museums; Solomon Guggenheim was elected its first President and Rebay its Director.
In 1939, the Guggenheim Foundation's first museum, "The Museum of Non-Objective Painting", opened in rented quarters at 24 East Fifty-Fourth Street in New York and showcased art by early modernists such as Rudolf Bauer, Hilla Rebay, Wassily Kandinsky, and Piet Mondrian. During the life of Guggenheim's first museum, Guggenheim continued to add to his collection, acquiring paintings by Marc Chagall, Robert Delaunay, Fernand Leger, Amedeo Modigliani and Pablo Picasso. The collection quickly outgrew its original space, so in 1943, Rebay and Guggenheim wrote a letter to Frank Lloyd Wright pleading him to design a permanent structure for the collection. It took Wright 15 years, 700 sketches, and six sets of working drawings to create the museum. While Wright was designing the museum Rebay was searching for sites where the museum would reside. Where the museum now stands was its original chosen site by Rebay which is at the corners of 89th Street and Fifth Avenue (overlooking Central Park). In the fall of 1959, ten years after the death of Solomon Guggenheim and six months after the death of Frank Lloyd Wright the Museum opened its doors for the first time to the general public.[2]
The distinctive building, Wright's last major work, instantly polarized architecture critics upon completion,[3] though today it is widely revered.[4] From the street, the building looks approximately like a white ribbon curled into a cylindrical stack, slightly wider at the top than the bottom. Its appearance is in sharp contrast to the more typically boxy Manhattan buildings that surround it, a fact relished by Wright who claimed that his museum would make the nearby Metropolitan Museum of Art "look like a Protestant barn."[3]